Showing posts with label Judy Villett . Martha Jablonski Jones. Show all posts
Showing posts with label Judy Villett . Martha Jablonski Jones. Show all posts

Saturday, December 10, 2011

Judy Villett and Martha Jablonski Jones

Theme / concept        Forests/Clearcutting      Beauty/Ugliness

Judy Villett  and  Martha Jablonski Jones – Collaborative Fibre Art:  North of Lilloet
Judy Villett
The initial idea for this collaboration was generated by the research that Martha Jablonski Jones did online for a series of paintings of forest clear-cuts seen from space. Both of us are nature lovers who have hiked and camped together over many years. The theme seemed to lend itself to a blending of painting and quilting. Martha drafted the design and used acrylic and metallic paint to lay a rich foundation for me to work on.
I layered and basted the painted muslin with wool batting and theme-print backing, then began to free hand quilt around the design elements. I used curving lines with a variegated hand-dyed thread to fill in all the clear-cut areas. Next, heavy machine embroidery stitching was used to add texture over the treed areas. The lakes were then accented with rayon and metallic quilting threads.




Martha Jablonski Jones
Behind the thin wall of forest seen from our western highways, lies a devastated landscape created by the practice of clear-cutting. There is no hiding from space where Google Earth has been a revelation to us, showing the true state of our planet earth.
The initial reaction when we see the extent of the damage in Canada’s forests is likely to be horror. When we look at the quilt-like patterns impartially, they can become compellingly fascinating and oddly beautiful – evoking the jewel like patterns seen in the paintings of Gustav Klimt. This led us to the idea of embellishment, re- dressing the stripped Mother Earth in gilding and textures. This stripping of nature and re-dressing her to our own ends has been human practice since the beginning of civilization.
Humans have an endless capacity to seek out the positive – no matter what confronts us. As our world changes rapidly around us, we may be forced to seek beauty in places we presently see as ugly. It may even be that we are psychologically disposed to see beauty, even in the most discouraging situations – simply as a matter of mental health.
The big-box store, the urban slum, the congested freeway – can they be salvaged? Do we lose Mother Nature, forget her, dress her up, or rescue her? In presenting this Google Earth vignette, we have introduced an element of what is accepted as beauty into a scene of what is accepted as ugliness, setting up a visual mixed message. We leave it to the viewer to decide what is beautiful, what is not and whether it matters in the end.

Wednesday, December 22, 2010

Judy Villett and Martha Jablonski Jones, with a little help from Deb Tilley

 Judy and Martha have completed their project. 
They worked together to make one project ... illlustrating the clear cut logging neat Lillooet
North Lillooet completed: full shot and detail
Just as Judy had finished the stitching, she had an unfortunate accident and broke her  wrist. Deb Tilley stepped up and completed the binding! Thanks Deb!
Here is the Process:Judy and Martha started with a google map, Martha painted the canvas.



Free motion stitching, outlining the divisions.


Then, it was passed to Judy who did the quilting and embellishment  
Clouds being needle felted.
Beartiful threads!

Squaring up!

Trimmings = Bookmarks
Binding ready to sew

Tuesday, December 21, 2010

Judy Villett and Martha Jablonski Jones

Judy worked with Martha on  'Intersection'  in 2007.

This collaborative piece is the result of a “mystery” design process.  Two old friends now living near each other in Vancouver’s Commercial Drive area met for coffee one early fall morning in 2007, and agreed to share their vision of their new neighbourhood.  Judy would construct a base of pieced fabrics to be turned over to Martha to paint, then it would be quilted and finished by Judy.  Judy’s concept: a close-up view of walls and pavement, got turned on it’s side by Martha, who saw the walls as streets and painted stark images of empty buildings,  graffiti and the daily crow migration.  After Judy got over her surprise, she reconstructed the image, adding more curved paving and weeds intersecting with the original street.  She set to work adding lots of quilting to accent the design. When Martha got over her surprise, both artists agreed that they liked the piece, though it was very different from what either had planned.  It took on a life of it’s own!